Profil użytkownika calum-marsh
The Good Son: The Life of Ray Boom Boom Mancini (2012)
Mancini, who served as an executive producer, is glorified and exonerated, yet it's his inability to render either process interesting that ultimately sinks the picture.
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Exit Elena (2012)
Silver locates the ordinary madness bubbling just beneath the surface of his own life, and flickers of lunacy abound.
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Laurence Anyways (2012)
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The film expresses, with much style and sophistication (if, at nearly three hours, perhaps an overabundance of both), the personal tragedy of love torn apart, of watching helplessly as yo...
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Greetings from Tim Buckley (2012)
The film articulates this dimension of the story, regrettably, in little more than biopic platitudes and daddy-issue clichés...But it's not all bad. Badgley delivers a nuanced performance...
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The Big Wedding (2012)
Many Hollywood films are founded on privilege, but few are as open and nasty about their racism, misogyny, and homophobia.
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Olympus Has Fallen (2013)
The film spends its first act establishing a flimsy emotional groundwork before gleefully taking a sledgehammer to it just seconds into act two.
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The Call (2013)
Brad Anderson's film is defined by an often frustrating combination of cleverness and stupidity.
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Dead Man Down (2013)
The action merely meanders when it should be hurtling forward, running in circles when one expects it to head toward a conclusion or some sense of resolution.
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Oz: The Great and Powerful (2013)
An amorphous melange of ill-fitting reference points and misappropriated aesthetics, a lumbering family blockbuster both tiresome and wholly indistinct.
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Leviathan (2012)
Leviathan is a titanic achievement, a visceral overload whose impact registers immediately and with great force.
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