Profil użytkownika ed-gonzalez
Dark Touch (2013)
The film is beholden to a strange internal logic that gives primacy not to its protagonist's suffering, but to its maker's thirst for fun.
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The Short Game (2013)
This window into the world of youthful competition almost entirely disposes of social awareness in favor of routine drama.
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Prisoners (2013)
Possibly year's most immaculate-looking drivel, a prismatically shot whodunit abundant in red herrings, but lacking in moral contemplation.
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The Lifeguard (2013)
The film heroically stretches out its governing water metaphor to a point that allows it to best Garden State's Guinness World Record for most incessant navel-gazing.
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Una noche (2012)
Una Noche tugged at my heartstrings, but the film's almost phantasmagoric fixation on sex can feel crass and dehumanizing.
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Cockneys vs Zombies (2012)
Matthias Hoene allows the cockney swears to flow as deliriously as the truly convincing blood splatter, offering a few unexpected gut-busters along the way.
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Evidence (2013)
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One wishes it had spared us the remedial theorizing on media culture and artistic representation and license and less apologetically acted the part of a straight-up horror film.
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The Conjuring (2013)
Though The Conjuring claims to be based on a true story, in truth it's based on every horror film that's come before it.
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Pacific Rim (2013)
Guillermo del Toro doesn't rise above the obligations of staging a film of this sort as a multi-level video game, a stylish but programmatic ride toward an inevitable final boss battle.
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Byzantium (2012)
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Forlorn depictions of love and death may dignify Neil Jordan's film, but narrative withholding ultimately drives a stake into its unmistakable heart.
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