Profil użytkownika michelle-orange
Far Out Isn't Far Enough: The Tomi Ungerer Story (2012)
The film's delighted affinity with Ungerer's well-turned perspective does lend an advertorial slickness to what might have been a more challenging study of a fascinating and famously elus...
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Silver Circle (2012)
The charms of what might charitably be called Silver Circle's homemade look and feel are limited.
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The Revolutionary Optimists (2013)
Change may be elusive, Optimists confirms, but the will to make it blazes.
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The We and the I (2012)
At its finest and most affecting, The We and the I is a window onto youth’s forever moments
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The Gatekeepers (2012)
The existence of The Gatekeepers is its own chief statement. You don't get the sense that it's any easier for these men to question Israel's leadership from the safety of retirement.
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We Are Legion: The Story of the Hacktivists (2012)
Former "Frontline" producer Brian Knappenberger's fascinating, incisive social history of the online network known as Anonymous.
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Searching for Sugar Man (2011)
Sugar Man is most interesting when it touches on the conditions that combined to draw a cult hero out of some decent music and a generously enabled, imagination-firing mystique.
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Killer Joe (2011)
In its own way and to its own detriment, William Friedkin's splattery, southern gothic return to the screen seeks to amuse as well as shake and stir.
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The Dark Knight Rises (2012)
The Dark Knight aspires to the epic and reaches it on a number of impressive and less impressive levels. That it is a frequently, unnervingly glorious triumph of brawn over brains is not ...
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Alps (2011)
The climax errs on the side of the overwrought and overdetermined, like an earnest adolescent's first attempt at a short story. And yet Papoulia's extraordinary performance lingers, as do...
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