Profil użytkownika sara-maria-vizcarrondo
Wuthering Heights (2011)
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Arnold's newest testament to passion and squalor strikes a tone somewhere between Cary Fukinaga's emo "Jane Eyre" and Sophia Coppola's revisionist-hip "Marie Antoinette."
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The Waiting Room (2012)
There's more to it than a black-and-white political conclusion, and the laundry list of California documentary heroes in the credits suggests this film is humanist before it's agenda driven.
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The Master (2012)
The Master is big screen marvel intended for 70mm projection (a rare treat), with some beautiful imagery, but often inaudible dialogue. Phoenix's lived-in mumble comes off about as clear ...
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The Oogieloves in the Big Balloon Adventure (2012)
The song and dance interaction of kids hollering advice during Blue's Clues happens here on the big screen, which is meant to transform the movie into a social event of sorts.
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The Apparition (2012)
The soulless-ness of their empty plot of track homes and super-store existence invokes both "Poltergeist" and "Employee of the Month."
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Premium Rush (2012)
Premium Rush has a rewarding relentlessness and a payoff that suggests that whirring city that surrounds us in is full of supporters who see past the system.
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Sparkle (2012)
The shadow of Whitney Houston's stardom and crushing recent death hang heavy over this midrange movie that promises its female audience at least three good cries during its somewhat overl...
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ParaNorman (2012)
ParaNorman is easily one of the most charming, imaginative and quirky comedies to come out of Laika Entertainment (Coraline), but for all its cleverness and urbane wit, it's in no way app...
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Killer Joe (2011)
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Killer Joe isn't as outlandish in premise as it is in execution, which is saying something.
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Alps (2011)
The premise is fetching and feels like a mystery, particularly as the film orchestrates its story to make the work of the Alps group seem like a kind of heist.
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