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Cloudy With A Chance Of Meatballs: Revenge Of The Leftovers (2013)
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It’s another brightly rendered effort, but, as the title indicates, a lot of the real creativity seems to have been used up the first time around.
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Adore (2013)
Just one more touch of “realism” in a sexual melodrama played so straight that it’s nuts.
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Getaway (2013)
In the end, it’s hard to remember another action entry that expends so much energy on frenetic blacktop choreography and attention-deficit editing with so little to show for it.
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Closed Circuit (2013)
Instead of all-seeing, it’s more like seen it all before.
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Percy Jackson: Sea of Monsters (2013)
Director Thor Freudenthal (“Diary of a Wimpy Kid”) finds his groove with a succession of flashy 3-D renderings... They’re digitized riffs on the Sarlacc pit from “Star Wars” and the final...
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The Wolverine (2013)
Jackman spends enough time compellingly playing stranger in a strange land that you’ll put up with a few unwanted doses of the old familiar.
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R.I.P.D (Rest In Peace Department) (2013)
There is less eye candy than you would expect, and it’s underwhelming.
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Red 2 (2013)
A sequel that has some snappy interplay, typically courtesy of Malkovich, but mostly feels like a cast working to manufacture what came naturally the first time.
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Turbo (2013)
Turbo makes an entertaining go of it by borrowing very liberally from the “Fast & Furious” franchise — Michelle Rodriguez even voices a character — and sticking a slime trail onto “Rocky”...
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Despicable Me 2 (2013)
The scope of the ’toon espionage-adventure goings-on is surprisingly limited. But the filmmakers so clearly love working on these characters, their creative joy is infectious.
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