Profil użytkownika tomas-hachard
Zaytoun (2012)
It misfires in tone, depth, and political tact, dumbing down rather than providing new insights into the Israel-Palestine conflict.
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Afternoon Delight (2013)
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Jill Soloway's film is dishonest in the way it attempts to mask self-pity as enlightened self-criticism.
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Drift (2012)
The obstacles that the Kelly brothers encounter are as uninspired as the film's treacly lessons about brotherhood and staying true to one's principles.
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Terraferma (2011)
Its self-seriousness never allows it to become the realist counterpoint to Aki Kaurismäki's tragicomic approach in Le Havre that one initially hopes it will be.
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Twenty Feet from Stardom (2013)
This joyous documentary leaves us wanting to immediately seek out the incredible, sometimes unfamiliar music we've just heard.
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The Attack (2012)
The film is most interesting as an articulation of how its main character's initial status as an emblem of inter-religious understanding quickly dissolves following a suicide bombing.
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Dirty Wars (2013)
Ably leads us through its extensive investigation, faltering only when the camera lingers on Jeremy Scahill for a touch too long at the expense of his interview subjects.
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Augustine (2012)
Alice Winocour's take on this true story carries the superficial trappings of a period drama, but its perspective is entirely contemporary.
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And Now a Word from Our Sponsor (2012)
It's a testament to Bruce Greenwood's acting that Adan never becomes entirely as insufferable as the words that come out of his mouth.
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The Iceman (2012)
Michael Shannon has no interior to play with, since the film seems intent on ridding Richie of any emotion other than love for his family, and also no catharsis to build toward.
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