Blondoner @Filmaster

Miłość Filipa Dzierżawskiego

Trzeci w ciągu ostatnich 18 miesięcy film zatytułowany "Miłość". Tym razem dokument o polskiej formacji muzycznej z Trójmiasta.

This film has been granted the FIPRESCI award, was the runner up in the Main Competition and got also appreciated by the Youths Jury during Off Plus Camera 2013, which drew to its end on April 21st in

Imagine (2012)

Jakimowski makes visually beautiful films. This one is no exception. It tells the story of a progressive professor extraordinaire who wants to teach blind children how to orientate in space without their

Panaceum (2013)

Without giving too much away – this film seems to be for the first part an antimanifesto – a voice against the pharmaceutical lobby bearing power over society in the US. Luckily, this film is more than

Przelotni kochankowie (2013)

Entitled in English as the tagline of a famous song “I’m so excited” which is performed brutally and emphatically during the film’s climax. We have the unity of time, place and action as per Aristotle’s

Wielki Gatsby (2013)

Almost a musical, but not quite. Almost a burlesque, but not really. Almost. It is definitely a matter of taste what has been done here with the breath of history. Charleston, foxtrot, tonnes of sequins,

Interview with Tobias Tobbell - writer director of film "Confine"

Tobias Tobbell interview held in London in October 2012 during the Raindance Film Festival. Filmaster: Hello Tobias, Many thanks for agreeing to do this interview. We've met for the first time two

Był sobie dzieciak (2012)

To nie jest film o Powstaniu Warszawskim, to nie jest film o bohaterskich Polakach. To film opowiadający dzieje tych, którzy w Powstaniu nie walczą. Przynajmniej dopóki historia ich do tego nie zmusi.

Pan Lazhar (2011)

Canadian-Quebecois candidate in the foreign language category in last year’s Oscars. It tells a story of one class of 12-year olds, whose teacher Martine hangs herself in the opening sequence. What follows

Raj: Miłość (2012)

2012 contestant in Cannes for the Palme d’Or against Michael Haneke’s Amour. Teresa is a lonely woman post her prime. Overweight, unable to communicate with her teenage daughter, at work dealing with